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肖邦代表作

時間:2024-06-28 20:00:08 美云 其他 我要投稿
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肖邦代表作

  弗里德里克弗朗索瓦肖邦(F.F.Chopin 1810─1849),19世紀(jì)波蘭作曲家、鋼琴家。肖邦是歷史上最具影響力和最受歡迎的鋼琴作曲家之一,是波蘭音樂史上最重要的人物之一,歐洲19世紀(jì)浪漫主義音樂的代表人物。以下是小編整理的肖邦代表作,歡迎閱讀,希望大家能夠喜歡。

  肖邦全部作品列表 (按作品編號) Published during Chopins lifetime

  Op.1, 回旋曲 Rondo in C minor (1825)

  Op.2, 《根據(jù)莫扎特“唐璜”主題變奏曲 “請伸出你的玉手”》 Variations on "La ci darem la mano" from Mozarts opera Don Giovanni, in B-flat major, for piano and orchestra (1827)

  Op.3, C大調(diào)引子與華麗的波蘭舞曲(為大提琴與鋼琴而作) Introduction and Polonaise brillante in C major for cello and piano (1829)

  Op.5, 瑪祖卡舞曲型回旋曲 Rondo à la mazur in F major (1826)

  Op.6, 4首瑪祖卡舞曲 4 Mazurkas (1830)

  No.1 in F-sharp minor

  No.2 in C-sharp minor

  No.3 in E major

  No.4 in E-flat minor

  Op.7, 5首瑪祖卡舞曲 5 Mazurkas (18301831)

  No.1 in B-flat major

  No.2 in A minor

  No.3 in F minor

  No.4 in A-flat major

  No.5 in C major

  Op.8, 鋼琴三重奏 Trio for Violin, Cello and Piano in G minor (1829)

  Op.9, 3首夜曲 3 Nocturnes (18301831)

  No.1 in B-flat minor

  No.2 in E-flat major

  No.3 in B major

  Op.10, 12首練習(xí)曲 12 études (18291832)

  No.1 in C major (1830)

  No.2 in A minor (1830)

  No.3 in E major ("Tristesse") (1832)

  No.4 in C-sharp minor (1832)

  No.5 in G-flat major ("Black Key") (1830)

  No.6 in E-flat minor (1830)

  No.7 in C major (1832)

  No.8 in F major (1829)

  No.9 in F minor (1829)

  No.10 in A-flat major (1829)

  No.11 in E-flat major (1829)

  No.12 in C minor ("Revolutionary") (1831)

  Op.11, 第一鋼琴協(xié)奏曲 Concerto for Piano and Orchestra No.1 in E minor (1830)

  Op.12, 華麗變奏曲 Variations brillantes on "Je vends des Scapulaires" from Hérolds Ludovic, in B-flat major (1833)

  Op.13, 華麗的波蘭民歌幻想曲 Grande fantaisie sur des airs polonais in A major (1828)

  Op.14, 克拉科維克音樂會用大回旋曲 Rondo à la Krakowiak in F major (1828)

  Op.15, 3首夜曲 3 Nocturnes (18301833)

  No.1 in F major (18301831)

  No.2 in F-sharp major (18301831)

  No.3 in G minor (1833)

  Op.16, 回旋曲 Rondo in E-flat major (1832)

  Op.17, 4首瑪祖卡舞曲 4 Mazurkas (18321833)

  No.1 in B-flat major

  No.2 in E minor

  No.3 in A-flat major

  No.4 in A minor

  Op.18, 華麗輝煌圓舞曲 Grande valse brillante in E-flat major (1831)

  Op.19, 波萊羅舞曲 Bolero (1833)

  Op.20, 第一諧謔曲 Scherzo No.1 in B minor (1831)

  Op.21, 第二鋼琴協(xié)奏曲 Concerto for Piano and Orchestra No.2 in F minor (18291830)

  Op.22, 平靜的行板與華麗的波蘭舞曲 Andante spianato et grande polonaise brillante in E-flat major (the polonaise section orchestrated 1830-31; piano solo 1834)

  Op.23, 第一敘事曲 Ballade No.1 in G minor (18311835)

  Op.24, 4首瑪祖卡舞曲 4 Mazurkas (18341835)

  No.1 in G minor

  No.2 in C major

  No.3 in A-flat major

  No.4 in B-flat minor

  Op.25, 12首練習(xí)曲 12 études (18321836)

  No.1 in A flat major ("Aeolian Harp") (1836)

  No.2 in F minor (1836)

  No.3 in F major (1836)

  No.4 in A minor (18321834)

  No.5 in E minor (18321834)

  No.6 in G-sharp minor (18321834)

  No.7 in C-sharp minor (1836)

  No.8 in D-flat major (18321834)

  No.9 in G-flat major ("Butterfly") (18321834)

  No.10 in B minor (18321834)

  No.11 in A minor ("Winter Wind") (1834)

  No.12 in C minor ("Ocean") (1836)

  Op.26, 2 Polonaises (18341835)

  升c小調(diào)波蘭舞曲 No.1 in C-sharp minor

  降e小調(diào)波蘭舞曲 No.2 in E-flat minor

  Op.27, 兩首夜曲 2 Nocturnes (1835)

  No.1 in C-sharp minor

  No.2 in D-flat major

  Op.28, 24首前奏曲 24 Preludes (18361839)

  No.1 in C major (1839)

  No.2 in A minor (1838)

  No.3 in G major (18381839)

  No.4 in E minor (1838)

  No.5 in D major (18381839)

  No.6 in B minor (18381839)

  No.7 in A major (1836)

  No.8 in F-sharp minor (18381839)

  No.9 in E major (18381839)

  No.10 in C-sharp minor (18381839)

  No.11 in B major (18381839)

  No.12 in G-sharp minor (18381839)

  No.13 in F-sharp major (18381839)

  No.14 in E-flat minor (18381839)

  No.15 in D-flat major ("Raindrop") (18381839)

  No.16 in B-flat minor (18381839)

  No.17 in A-flat major (1836)

  No.18 in F minor (18381839)

  No.19 in E-flat major (18381839)

  No.20 in C minor ("Chord" or "Funeral March") (18381839)

  No.21 in B-flat major (18381839)

  No.22 in G minor (18361839)

  No.23 in F major (18381839)

  No.24 in D minor (18381839)

  Op.29, 第一即興曲 Impromptu No.1 in A flat major (1837)

  Op.30, 4首瑪祖卡舞曲 4 Mazurkas (18361837)

  No.1 in C minor

  No.2 in B minor

  No.3 in D-flat major

  No.4 in C-sharp minor

  Op.31, 第二諧謔曲 Scherzo No.2 in B-flat minor (1837)

  Op.32, 兩首夜曲 2 Nocturnes (18361837)

  No.1 in B major (18361837)

  No.2 in A-flat major (18361837)

  Op.33, 4首瑪祖卡舞曲 4 Mazurkas (18371838)

  No.1 in G-sharp minor

  No.2 in D major

  No.3 in C major

  No.4 in B minor

  Op.34, 3 Waltzes (18311838)

  華麗圓舞曲 No.1 in A-flat major (1835)

  華麗圓舞曲 No.2 in A minor (1831)

  華麗圓舞曲 No.3 in F major (1838)

  Op.35, 第二鋼琴奏鳴曲 Piano Sonata No.2 in B-flat minor ("Funeral March") (1839)

  Op.36, 第二即興曲 Impromptu No.2 in F-sharp major (1839)

  Op.37, 兩首夜曲 2 Nocturnes (18381839)

  No.1 in G minor (1838)

  No.2 in G major (1839)

  Op.38, 第二敘事曲 Ballade No.2 in F major (18361839)

  Op.39, 第三諧謔曲 Scherzo No.3 in C-sharp minor (1839)

  Op.40, 兩首波蘭舞曲 2 Polonaises (18381839)

  A大調(diào)波蘭舞曲“軍隊(duì)” No.1 in A major ("Military") (1838)

  c小調(diào)波蘭舞曲 No.2 in C minor (18381839)

  Op.41 4首瑪祖卡舞曲 4 Mazurkas (18381839)

  No.1 in E minor (1839)

  No.2 in B major (1838)

  No.3 in A-flat major (1839)

  No.4 in C-sharp minor (1839)

  Op.42, 華麗圓舞曲 Waltz in A-flat major (1840)

  Op.43, Tarantelle in A-flat major (1841)

  Op.44, 升f小調(diào)波蘭舞曲 Polonaise in F-sharp minor (1841)

  Op.45, 升c小調(diào)前奏曲 Prelude in C-sharp minor (1841)

  Op.46, 音樂會快板 Allegro de concert in A major (18321841)

  Op.47, 第三敘事曲 Ballade No.3 in A-flat major (18401841)

  Op.48, 兩首夜曲 2 Nocturnes (1841)

  No.1 in C minor

  No.2 in F-sharp minor

  Op.49, 幻想曲 Fantaisie in F minor (1841)

  Op.50, 3首瑪祖卡舞曲 3 Mazurkas (18411842)

  No.1 in G major

  No.2 in A-flat major

  No.3 in C-sharp minor

  Op.51, 第三即興曲 Impromptu No.3 in G-flat major (1842)

  Op.52, 第四敘事曲 Ballade No.4 in F minor (1842)

  Op.53, 降A(chǔ)大調(diào)波蘭舞曲“英雄” Polonaise in A-flat major ("Heroic" or "Drum") (1842)

  Op.54, 第四諧謔曲 Scherzo No.4 in E major (1842)

  Op.55, 兩首夜曲 2 Nocturnes (1843)

  No.1 in F minor

  No.2 in E-flat major

  Op.56, 3首瑪祖卡舞曲 3 Mazurkas (1843)

  No.1 in B major

  No.2 in C major

  No.3 in C minor

  Op.57, 搖籃曲 Berceuse in D-flat major (1843)

  Op.58, 第三鋼琴奏鳴曲 Piano Sonata No.3 in B minor (1844)

  Op.59, 3首瑪祖卡舞曲 3 Mazurkas (1845)

  No.1 in A minor

  No.2 in A-flat major

  No.3 in F-sharp minor

  Op.60, 船歌 Barcarole in F-sharp major (18451846)

  Op.61, 降A(chǔ)大調(diào)幻想波蘭舞曲 Polonaise-Fantaisie in A-flat major (18451846)

  Op.62, 二首夜曲 2 Nocturnes (1846)

  No.1 in B major

  No.2 in E major

  Op.63, 3首瑪祖卡舞曲 3 Mazurkas (1846)

  No.1 in B major

  No.2 in F minor

  No.3 in C-sharp minor

  Op.64, 3 Waltzes (18461847)

  舞曲“小狗” No.1 in D-flat major ("Minute Waltz")

  圓舞曲 No.2 in C-sharp minor

  圓舞曲 No.3 in A-flat major (c. 1840)

  Op.65, 大提琴奏鳴曲 Sonata for Cello and Piano in G minor (18451846)

  Published posthumously

  Op.posth. 4, 第一號鋼琴奏鳴曲 Piano Sonata No.1 in C minor (1828)

  Op.posth. 66, 第四幻想即興曲 Fantaisie-Impromptu in C-sharp minor (1835)

  Op.posth. 67, 4首瑪祖卡舞曲 4 Mazurkas (18351849)

  No.1 in G major (1835)

  No.2 in G minor (1849)

  No.3 in C major (1835)

  No.4 in A minor (1846)

  Op.posth. 68, 4首瑪祖卡舞曲 4 Mazurkas (18271849)

  No.1 in C major (1829)

  No.2 in A minor (1827)

  No.3 in F major (1829)

  No.4 in F minor (1849) (Last Composition)

  Op.posth. 69, 2 Waltzes (18291835)

  圓舞曲“告別” No.1 in A-flat major, Valse de ladieu (1835)

  圓舞曲 No.2 in B minor (1829)

  Op.posth. 70, 3首圓舞曲 3 Waltzes (18291841)

  No.1 in G-flat major (1833)

  No.2 in F minor (1841)

  No.3 in D-flat major (1829)

  Op.posth. 71, 3首波蘭舞曲 3 Polonaises (18251828)

  No.1 in D minor (1825)

  No.2 in B-flat major (1828)

  No.3 in F minor (1828)

  Op.posth. 72, (18261827)

  No.1 夜曲 Nocturne in E minor (1827)

  No.2 c小調(diào)葬禮進(jìn)行曲 Funeral March in C minor (1827)

  No.3 3首埃科塞斯舞曲 3 écossaises (1826)

  No.3a in D major

  No.3b in G major

  No.3c in D-flat major

  Op.posth. 73, 雙鋼琴回旋曲 Rondo in C major (versions for solo piano and two pianos) (1828)

  Op.posth. 74, 17首波蘭歌曲 17 Polish Songs (18291847)

  No.1 The Wish (yczenie) (1829)

  No.2 Spring (Wiosna) (1838)

  No.3 The Sad River (Smutna Rzeka) (1831)

  No.4 Merrymaking (Hulanka) (1830)

  No.5 What She Likes (Gdzie lubi) (1829)

  No.6 Out of My Sight (Precz z moich oczu) (1830)

  No.7 The Messenger (Pose) (1830)

  No.8 Handsome Lad (liczny chopiec) (1841)

  No.9 Melody (Melodia) (1847)

  No.10 The Warrior (Wojak) (1830)

  No.11 The Double-End (Dwojaki koniec) (1845)

  No.12 My Darling (Moja pieszczotka) (1837)

  No.13 I Want What I Have Not (Nie ma czego trzeba) (1845)

  No.14 The Ring (Piercie) (1836)

  No.15 The Bridegroom (Narzeczony) (1831)

  No.16 Lithuanian Song (Piosnka litewska) (1831)

  No.17 Leaves are Falling, Hymn from the Tomb (piew z mogiki) (1836)

  肖邦遺作

  第20首升c小調(diào)夜曲 Nocturne in c sharp miner op.poth.(1830)

  c小調(diào)的這首夜曲 Nocturne No.21 in C-Minor Op.Posth. (1847-1848)

  瑪祖卡集(無編號) Op.posth

  圓舞曲集(無編號) Op.posth

  3首新練習(xí)曲(1839)

  波蘭舞曲集(無編號)(1839)

  無編號降A(chǔ)大調(diào)前奏曲(遺作)Op.posth

  弗里德里克·肖邦代表作品《鋼琴協(xié)奏曲》、《敘事曲》、《夜曲》、《革命練習(xí)曲》。

  1、《敘事曲》

  敘事曲一般指富于敘事性、戲劇性的獨(dú)唱或獨(dú)奏曲。敘事曲一詞源出拉丁文ballade,意為跳舞,最初是一種舞蹈歌曲。到19世紀(jì)中期,波蘭作曲家肖邦是首創(chuàng)了鋼琴敘事曲這種形式。他的四部敘事曲,旋律優(yōu)美、感情真摯、內(nèi)容深刻、氣象萬千,是鋼琴藝術(shù)史上的不朽杰作。

  2、《夜曲》

  夜曲是肖邦自己創(chuàng)新的一種鋼琴獨(dú)奏體裁,它具有沖淡平和,寂靜幽瀾的特點(diǎn),輕緩中偶爾透著那么一點(diǎn)點(diǎn)沉思!渡鼵小調(diào)夜曲》,為三段體,第一段以柔聲奏出暗淡的旋律,經(jīng)種種轉(zhuǎn)調(diào)后,情緒越來越不安;中段速度轉(zhuǎn)快,出現(xiàn)悲痛的第二主題,它化解為明朗后再復(fù)歸第一主題。

  3、《鋼琴協(xié)奏曲》

  協(xié)奏曲成為器樂作品中最具戲劇效果的一種體裁。鋼琴協(xié)奏曲是鋼琴和樂隊(duì)之間的協(xié)作貫穿整個作品,鋼琴與樂隊(duì)的關(guān)系在旋律的發(fā)展過程中互相作用所產(chǎn)生的豐富效果,就顯得耐人尋味。如何去理解鋼琴與樂隊(duì)的關(guān)系,因此成了理解鋼琴協(xié)奏曲的重要內(nèi)容之一。

  4、《革命練習(xí)曲》

  肖邦的這首練習(xí)曲,表現(xiàn)了肖邦在華沙革命失敗后內(nèi)心的悲憤欲絕。因此,被后人命名為“革命”練習(xí)曲。全曲激昂悲憤,深刻地反映了肖邦在華沙陷落、起義失敗后的心情,那催人奮起的旋律,表現(xiàn)了波蘭人民的吶喊與抗?fàn)帯?/p>

  5、《馬祖卡舞曲》

  肖邦的瑪祖卡舞曲變化性地應(yīng)用了民間節(jié)奏,并按照高度專業(yè)化的藝術(shù)標(biāo)準(zhǔn)進(jìn)行再創(chuàng)作,在和聲、調(diào)式等方面更有獨(dú)出心裁的創(chuàng)造,他的樂曲中有著更精練的旋律,增加了跳躍感,在變化中賦予詩意。

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